我是陛下微末时的糟糠妻，曾救他于危难，与他共患难，相守于阴县，以为觅得一生挚爱。然而，在他称帝后，我却被贬为贵人，而皇后之位另有其人。自此，我的记忆开始每日消退，那些与陛下相关的痛苦往事，如被孤身丢弃乱军、被罚跪皇后宫中思过、以及他“永不负你”的誓言，都逐渐被遗忘。我只记得，年少时曾嫁与一位温柔体贴的“阿郎”。谢皇后利用我的记忆缺失，公然羞辱我，命我跳舞，却意外揭示了我腿上被火烧伤的赫赫伤疤，更提起了当年皇上为救皇后而将我遗弃在乱军中的“佳话”，记忆的抹去，让我不再恨他，却也让他永远失去了我的谅解，只留下一个痛彻心扉的帝王，在雨夜中狼狈地呼唤：“宛娘，别忘了我。”

公司小透明程序员沈知薇，暗夜里化身IT开发女强人，用网络虚拟身份和暗恋的冷酷霸总蔺思城谈天说地，没想到被蔺总识破真身后却得到了男神的求婚!但沈知薇与霸总男神的同居生活根本不像想象中甜蜜，原来暗夜中的男神才会展现不为人知的危险面……

公司小透明程序员沈知薇，暗夜里化身IT开发女强人，用网络虚拟身份和暗恋的冷酷霸总蔺思城谈天说地，没想到被蔺总识破真身后却得到了男神的求婚!但沈知薇与霸总男神的同居生活根本不像想象中甜蜜，原来暗夜中的男神才会展现不为人知的危险面……

讲述了粤港澳大湾区建设背景下四位青年成长的故事，影片融入了大量传统和现代广东元素，有着鲜明的岭南风格。

谢府姨娘之女谢清圆年少丧母流落街头，沈润遭遇家变被发配充军。两人在彼此最落魄时相逢，告别时沈润将身上的母亲留给他的信物赠予谢清圆，两人相约要努力活下去。成年后的谢清圆被接回谢府，她聪慧过人，一心想要颠覆整个谢家，而沈润现在已成为朝廷重臣。江南天灾得不到纾解，神秘莫测、一人千面的沈润被派来肃清横塘官场。官场人人自危，看不清这位大人的真实意图。而谢清圆在谢宅之中搅弄风云，为母亲沉冤昭雪。沈润目标涵盖官场士族，首指谢家。调查期间命运让他与谢清圆重逢，两人相逢不相识，在尔虞我诈中却再生情愫。两人于灵魂暗夜相约又在生死关头相认，从后宅到朝堂一路经历了种种风雨，度过重重难关，终于为家人洗刷冤屈，有情人终成眷属。他们琴瑟相合，同心同德，助益家国，恩爱一生。 　　该剧改编自尤四姐的同名小说。

讲述了粤港澳大湾区建设背景下四位青年成长的故事，影片融入了大量传统和现代广东元素，有着鲜明的岭南风格。

谢府姨娘之女谢清圆年少丧母流落街头，沈润遭遇家变被发配充军。两人在彼此最落魄时相逢，告别时沈润将身上的母亲留给他的信物赠予谢清圆，两人相约要努力活下去。成年后的谢清圆被接回谢府，她聪慧过人，一心想要颠覆整个谢家，而沈润现在已成为朝廷重臣。江南天灾得不到纾解，神秘莫测、一人千面的沈润被派来肃清横塘官场。官场人人自危，看不清这位大人的真实意图。而谢清圆在谢宅之中搅弄风云，为母亲沉冤昭雪。沈润目标涵盖官场士族，首指谢家。调查期间命运让他与谢清圆重逢，两人相逢不相识，在尔虞我诈中却再生情愫。两人于灵魂暗夜相约又在生死关头相认，从后宅到朝堂一路经历了种种风雨，度过重重难关，终于为家人洗刷冤屈，有情人终成眷属。他们琴瑟相合，同心同德，助益家国，恩爱一生。 　　该剧改编自尤四姐的同名小说。

Since the death of Jesus, Mary Magdalene has withdrawn from the world. Her hair has turned white, she eats berries, drinks rain water and sleeps among the trees. Alone in the heart of the forest, she remembers her lost love. She looks for a way to find him. 　　—— 　　Under the rain, in the wind or in the mist, through forests and caves, little by little, one shot after the other, a deep mystery unfurls. A mystery which is as thick as the cloak that covers Mary Magdalene. Not Mary the great sinner nor the redeemed soul, but the great lover who stays loyal until the end to her passion for Christ. Is this the passion of a believer in God ? Or the one of a lover for a man ? Every cell of her body remembers their radiant encounter which has, since it happened, illuminated every single moment of her life. 　　Damien Manivel's cinematic creation wraps a nebulous aura around its viewers. It is as ascetic in the way it treats its subject as it is sensual in the way it makes us see things. It is particularly attentive to the bodies and to the materiality of space and time, which both carries and passes through every living creature. This dusky movie propels us into a primitive mystique which has nothing to do with candles, thuribles and « Our Father Who art in heaven » prayers, and in which nature and hallucinated visions make human faith go back to its original paganism. The filmmaker and his actress Elsa Wolliaston, whose expressivity is stunning, succeed in transfiguring the character of Mary Magdalene. Together they climb up the steep slopes of Love and Faith in beauty.

Since the death of Jesus, Mary Magdalene has withdrawn from the world. Her hair has turned white, she eats berries, drinks rain water and sleeps among the trees. Alone in the heart of the forest, she remembers her lost love. She looks for a way to find him. 　　—— 　　Under the rain, in the wind or in the mist, through forests and caves, little by little, one shot after the other, a deep mystery unfurls. A mystery which is as thick as the cloak that covers Mary Magdalene. Not Mary the great sinner nor the redeemed soul, but the great lover who stays loyal until the end to her passion for Christ. Is this the passion of a believer in God ? Or the one of a lover for a man ? Every cell of her body remembers their radiant encounter which has, since it happened, illuminated every single moment of her life. 　　Damien Manivel's cinematic creation wraps a nebulous aura around its viewers. It is as ascetic in the way it treats its subject as it is sensual in the way it makes us see things. It is particularly attentive to the bodies and to the materiality of space and time, which both carries and passes through every living creature. This dusky movie propels us into a primitive mystique which has nothing to do with candles, thuribles and « Our Father Who art in heaven » prayers, and in which nature and hallucinated visions make human faith go back to its original paganism. The filmmaker and his actress Elsa Wolliaston, whose expressivity is stunning, succeed in transfiguring the character of Mary Magdalene. Together they climb up the steep slopes of Love and Faith in beauty.